~ She'll break into bits of star and throw herself against the sky ~

I like cherries and cakes, books, little girls with chain saws, the psyche and being a hermit.

Body Map

Gold Dust is very much about being other people and feeling how they feel. And feeling how you felt in another time, when you’ve been in another place. And it really isn’t your past because somehow these frames are written on your body and they’ve made you what you are. Nothing is gone, it’s just on your body map.

—Tori Amos

One of my favourite scenes from Star Trek: The Next Generation. Data The Android reads out a poem he wrote about his cat, Spot. The other crew members are not impressed..!

Look at that baby love…

Look at that baby love…

Nom nom. My 23rd birthday, 2009.

Nom nom. My 23rd birthday, 2009.

Six Feet Under - The Plan [2.03]

Nate: What about you saying that things happen that leave marks … in people, in space, in time?
Brenda: Yeah, that’s physics. Energy affecting matter. Talking to dead people is delusional.
Nate: So you definitely don’t believe in any kind of a life after death?
Brenda: I think people live on through the people they love and the things they do with their lives … if they manage to do things with their lives.
Nate: But that’s it, that’s it? That’s all there is, there’s nothing more, there’s nothing like bigger?
Brenda: Just energy.
Nate: But there’s no plan, no—
Brenda: No, there’s definitely no plan. Just survival. Should I have ordered the salmon?
Nate: Uh, I don’t know. How can you live like that? I mean, what if you found out you were gonna die tomorrow?
Brenda: I’ve been prepared to die tomorrow since I was six years old.
Nate: Really?
Brenda: Yeah, pretty much. We never got butter.
Nate: Well, why, since you were six?
Brenda: Because I read a report on the effect nuclear war would have on the world, and it was pretty clear to me at that point that this was definitely gonna happen.
Nate: When you were six?
Brenda: And I wake up every day pretty much surprised that, um … everything is still here.
Nate: Well, I don’t understand how you can live like that.
Brenda: Well, I thought we all did.

Nate: Claire –Claire: What? It sucks!Nate: Stop listening to the static.Claire: What the fuck does that mean?Nate: Nothing. It just means that everything in the world is like this transmission, making its way across the dark. But everything – death, life, everything – it’s all completely suffused with static. [makes static sounds] You know? But if you listen to the static too much, it fucks you up.Claire: Are you high?Nate: I am actually, yeah, quite high.Six Feet Under

Nate: Claire –
Claire: What? It sucks!
Nate: Stop listening to the static.
Claire: What the fuck does that mean?
Nate: Nothing. It just means that everything in the world is like this transmission, making its way across the dark. But everything – death, life, everything – it’s all completely suffused with static. [makes static sounds] You know? But if you listen to the static too much, it fucks you up.
Claire: Are you high?
Nate: I am actually, yeah, quite high.

Six Feet Under

“But in some ways, the most significant choices one makes in life are done for reasons that are not all that dramatic, not earth-shaking at all; often enough, the choices we make are, for better or for worse, made by default.”

-Marya Hornbacher

If you’re a thought you will want me to think you

And I did.

Invited a guest up until you announced that

You had moved in.

————

Scarlet’s Walk

John Collier - Lilith
I love Pre-Raphaelite art. It has it all for me: people and nature in life-like detail and rich colours, background stories based on classic poems and myths (often with a dark or sinister side to them) and just the amazing amount of skill, talent and time that must have went into their creation.
Beautiful, beautiful, beautiful!

John Collier - Lilith

I love Pre-Raphaelite art. It has it all for me: people and nature in life-like detail and rich colours, background stories based on classic poems and myths (often with a dark or sinister side to them) and just the amazing amount of skill, talent and time that must have went into their creation.

Beautiful, beautiful, beautiful!

“Normality highly values its normal man. It educates children to lose themselves and to become absurd, and thus to be normal. Normal men have killed perhaps 100, 000 of their fellow normal men in the last fifty years.”

R.D Laing